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Works of Dance and Collaboration as Dance-Tect

2017

“Cell Response- respond to Jean-Luc Nancy L’INTRUS” (75min+15min pause)　Photopgaphy|Koto|Contemporary Dance at Space DENEGA, Hirosaki

2016

“SAVOR OF NIGHTFALL “ (90min/ 2nights) JAZZ×INSTALLATION×CONTEMPORARY DANCE Stockholm | Barcelona | Hirosaki　Subsidized by Swedish Arts Grants Committee, Supported by Ensemble Alazart

2014

“Beyond a Boundary “ (50min/ 2nights) Italy, Canada and Japan coproduction at　Denega, Hirosaki and Temporary Contemporary, Tokyo Assisted by Aomori Gakuzyutu Bunka Shinkou Zaidan

2012

“the future for concealed sensation“ (70min/ 2nights) SALERNO|ITARIA, AOMORI|JAPAN 対話II at DENEGA (Hirosaki), Za Koenji (Tokyo)　with Okinawan Sanshin Player, Okinawan traditional dancer and Koto player. Assisted by Aomori Gakuzyutu Bunka Shinkou Zaidan

2010

“Density of Blanks “ (60min) collaboration of Japanese harp Koto with installation and dance at DENEGA, Hirosaki

2009

Site specific work“Ripples of Traces and Oblivion“ (90min/ 2 nights) on water stage at Aomori Contemporary Art Centre also Co-hosted by, with American dancer and Canada based Japanese dancer

2008

Dance-tect Project “Metro-[No]Me at Die Platze Tokyo with Four Japanese dancers

2007

Site specific pieces “Noriko Kato Dance-Tect Performances “(ab50min/2days) in Photo exhibition of Shashin Zero-nen Okinawa/ The opening events of Okinawa prefectural Museum of Art with Danish, Thai and Japanese dancers

2005

Site specific piece “She sees...though....“(45min) in ON design/ Kitanaka WHITE in Yokohama

Independent Dance Work

2019

“ANONYMOUS BODY PROJECT in Hirosaki” Artist in Residence (21st Jan- 22nd Feb) 2 days, 3 performances, 6 workshops for Jr. high school students and presentation of them with Ivan Ontiveros and Benyam Seifu in SPACE DENEGA in Hirosaki, Aomori, Japan

2018

“ANONYMOUS BODY PROJECT” first creation with Ivan Ontiveros and Benyam Seifu in Monterrey and Mexico City, in Mexico

2017

Site Specific presentation of “Aomori Pilgrimage” – 2days performance with Anthropologist Ryuta Imafuku, Butoh dancer Yuko Yuki and Tatsuya Nakamura, Aomori, Japan

2016

Presented a “ I will dance with you” (20min) for „Three Colors“ in Aomori, Japan

2015

Invited to the residencial project „ Laboratorio de silencio“ in Barcelona, Spain

2015

Guest performer for Paper Cuts Artist Sharlotte MacGowan Griffin exhibition and Oping event for NICA Art Garally in Tokyo, Japan

2013~2015

Invited as a choreographer/dancer to presented a piece „ Motion emerge Notions“and workshop leader for Italian choreographers to give the idea from this piece. Italy

2012

Organized event exchange/ collaborate performance event with Borderline Danza Italy

2011

Invited as an Guest Artist and present a piece “What is the Bond between „you“ and „me“ " with dancers of Borderline Danza for I Dialoghi di ra.i.d. ressegna interegionale danza対話 ITALIA/GIAPPONE at Chiesa dell’Addolotata, in Salerno, Italy

2011

Invited for a project of Dance, photography and Music „Las Hojas Rojas" at Fylkingen in Stockholm

2010

Main actor of “Connective Pattern” by Finnish dancer/choreographer Sari Palmgren’s documentary dance film

2008

“a night of light and refrection-LUNA FOREST” at Aomori Contemporary Art Centre

2006

“Chasing the Whale“ Al’abordage Art Project Asia tour –10weeks residence program performed in Patravadi
Theatre in Bangkok(30min), Green Papaya in Manila(2hours, 2nights), Honen Temple in Kyoto (2hours,2nights), Tokyo Wondersite in Tokyo(3hours,3nights)

Other Professional Work of Choreography

2005

Paticipate The Third Asia- Europe Dance Forum Pointe to Point in Japan Fundation Forum in Tokyo

2000

Choreography for 50 dance students of Nippon Sport Science University at Tokyo Gymnasium in Tokyo

1999

Choreography of opening and ending for convention of Company Shalre inAnaheim Center, Anaheim, California, for young teenage American 20 dancers

In print/ Academic Presentation

2016

Translation ; Farewell Pina. Good bye Pina by Jo Ann Endicott , translated by Noriko Kato Soubun-sya, Tokyo, Japan

2010

2010 Art Festival 2009‘After Performance Ripples of Oblivion’ pp.72-74

2009

“AOMORI CONTEMPORARY ART CENTRE PROGRAM 2009

2009

Research Note;‘Study into Idea of Body by experiences’ pp.62-81 “ ISC21st. IPHIGENEIA ” Soubun-sya

2007

Translation of a book and commentary; Thank you Pina...Good bye Pina by Jo Ann Endicott pp5-65 “IPHIGENEIA No.7” Graduate School Nippon Sport Science University Year Magazine Soubun-sya, Tokyo, Japan

2006

Academic presentation; Study into Al’abordage in 20th Sports History Academic Society

2006

A book collaboration; Chapter 4th ‘Possibilities of tha Idea of Body in Dance’ pp.186-209 in Etsuko Mii Karada eno Tobira wo Hiraku Soubun-sya

2005

Academic presentation;Study of Jo Ann Endicott in 19th Sports History Society